Make the most of Sydney Design 09 with a Festival Pass.
SYDNEY DESIGN 09 FESTIVAL PASS ($16)
Visit the Powerhouse Museum as many times as you would like during the Festival, including entry to the late night event, Play Late, on 7 August and Young Blood: Designers Markets on 14 and 15 August 2009. (more…)
Artefact H10515 is a life form that lives in a large display case. It moves, it breathes and it feeds on digital sources within and beyond the walls of the museum. Artefact H10515 is the creation of Craig Walsh, a leading Australian media artist with an international reputation for creating innovative and thought-provoking work. (more…)
See the Powerhouse Museum’s selection from this year’s finalists in the Australian International Design Awards. This year designs are as diverse as a battery-heated wetsuit, foldable commuter bike, sleep disorder testing device and transportable sink.
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Light will be shed on the process of product design and Knott and Archer will describe how ideas are born, refined, tested and brought to market. The talk will help show where designers find inspiration and how seemingly meaningless images or occurrences can later help shape products. (more…)
The word “sustainability” is in danger of losing its tangible value and status as a universal catch-cry from chronic over use. Sustain me: contemporary design explores the conventional role design and designers play in creating and developing a deeper understanding of sustainability. (more…)
Glenn Murcutt’s groundbreaking designs are internationally recognised as being at the very forefront of contemporary architecture. His work is celebrated for its sustainability, harmony with the natural world, and resonance and unity with Australia’s diverse climate and topography.
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The Interactivation Studio is a research laboratory for the design, investigation, invention and development of new ways of interacting with electronic technology. It is a flexible infrastructure which can be rearranged to suit a number of uses – from workshop, class room, test lab, exhibition space (more…)
A retrospective exhibition of some of the most outstanding and endearing products developed by celebrated Australian design company FINK + Co. Established in 1994 by Robert Foster, the company has played a critical role in promoting Australian design and nurturing Australian designers. (more…)
Untouchable presents the work of staff from the Object Art and Design Studios of Sydney College of the Arts. It showcases the artists’ diverse approaches. As for its tongue-in-cheek title: What else do you call an exhibition to accompany Unwearable and Unbearable?
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Unbearable challenges assumptions that art objects should be tasteful, aesthetically pleasing, understandable, accessible and physically manageable. The works ask you to address these expectations and consider other possibilities.
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Why would a jeweller choose such a confrontational title for an exhibition of work from the last 15 years as Unwearable? It’s a provocation. Those familiar with New Zealand’s Lisa Walker’s work won’t be surprised. The very best jewellery in her exhibition aggressively challenges us on a material, conceptual and practical level. Curated by Damian Skinner.
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Transclimatic demonstrates how climate change drives us to address new objectives: explore new places, set new design strategies, use new techniques or develop new technologies via a multi‐disciplinary design exhibition. It showcases selected works of emerging or established artists, design practices and architects worldwide.
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Digital modelling and digital fabrication are wonderful things but how toxic are 3D printers and how much gas is given off while laser cutting a piece of plywood? What are the environmental impacts of these Ultra_Fab tectonics? University of Sydney architecture staff and students demonstrate the creative potential – and the impact – of digital fabrication at the Ultra_Fab pavilion.
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An invitational exhibition of teapots of every persuasion – from the exquisite and the elegant, to the functional and the purely decorative, to the whimsical and the bizarre – The Sydney Teapot Show has been held for around 20 years at The Inner City Clayworkers Gallery in Glebe and showcases local, interstate and the occasional international design.
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We’re in the middle of the biggest resurgence in knitting since the 1970s. In Denmark they knitted a tank, in Mexico they knitted a bus and in Sydney guerrilla knitter Denise Litchfield has organised that Taylor Square’s historic public amenities be covered in knitted pieces. (more…)
EyeSaw is an exhibition by graphic designers about graphic design. It’s a visual feast of ideas calculated to bring the discipline of graphic design into sharp relief. The exhibition’s mantra is the designer’s desire to explain to a world – where visual communication in myriad forms is omnipresent – precisely what it is they do and what its benefits are.
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The Curtain Gown is a signature work by Melbourne fashion phenomenon MATERIALBYPRODUCT. Blurring the boundary between fashion and interior design it has been critically acclaimed and widely publicised both here and overseas. (more…)
Two of the hottest names in Japanese architecture, Kazuyo Sejima and Ryue Nishizawa, will give a first-hand glimpse of their architectural aesthetic with their architectural intervention at the Sherman Contemporary Art Foundation. (more…)
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