Challenge your perceptions of sustainability through this unique creative platform and restaurant.
Brunch, 9.30am (bookings essential): With Jared Ingersoll, Chef/Director Danks Street Depot, and Hannah Tribe, Director Tribe Studio Architects. Ingersoll devised the menu for Eat Green Design, and Tribe designed the temporary restaurant.
Daily Designer, 12.00pm (free with Museum admission): Tom Barker.
Hear inspiring designers speak each day at Eat Green Design, a unique creative platform and restaurant inside the Powerhouse. Daily designer talks are FREE with Museum admission, no bookings required.
Make the most of Sydney Design 09 with a Festival Pass.
SYDNEY DESIGN 09 FESTIVAL PASS ($16)
Visit the Powerhouse Museum as many times as you would like during the Festival, including entry to the late night event, Play Late, on 7 August and Young Blood: Designers Markets on 14 and 15 August 2009. (more…)
Artefact H10515 is a life form that lives in a large display case. It moves, it breathes and it feeds on digital sources within and beyond the walls of the museum. Artefact H10515 is the creation of Craig Walsh, a leading Australian media artist with an international reputation for creating innovative and thought-provoking work. (more…)
See the Powerhouse Museum’s selection from this year’s finalists in the Australian International Design Awards. This year designs are as diverse as a battery-heated wetsuit, foldable commuter bike, sleep disorder testing device and transportable sink.
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Based on Melinda Young’s jewellery project of the same name, you’re invited to make a piece of jewellery using a ball of sewing thread. The premise is simple: by using a common domestic material, engaging with and re-working simple craft techniques (and perhaps inventing some new ones), sewing thread becomes the vehicle for fantastic wearable creations, either as a material in itself or in combination with other found objects.
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Showcasing a stellar range of Australian furniture, lighting and product design conceived by emerging young designers, Workshopped 09 focuses on the work of designers that are ‘creating the future, inspiring, enhancing and making a difference’.
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TO | FRO explores the success and stories of emerging Australian creatives in all corners of the globe. Both at home and abroad Australia is emerging as a creative incubator across all disciplines. Through technology and transport we are no longer so isolated, providing immediate access to manufacturers, clients and consumers. (more…)
The word “sustainability” is in danger of losing its tangible value and status as a universal catch-cry from chronic over use. Sustain me: contemporary design explores the conventional role design and designers play in creating and developing a deeper understanding of sustainability. (more…)
Glenn Murcutt’s groundbreaking designs are internationally recognised as being at the very forefront of contemporary architecture. His work is celebrated for its sustainability, harmony with the natural world, and resonance and unity with Australia’s diverse climate and topography.
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An exhibition of final-year Enmore Design Centre work highlighting the innovative and sustainable design solutions of signage. Students were asked to produce designs using non-renewable resources that were found, recycled or included the transformation of raw material (more…)
The Interactivation Studio is a research laboratory for the design, investigation, invention and development of new ways of interacting with electronic technology. It is a flexible infrastructure which can be rearranged to suit a number of uses – from workshop, class room, test lab, exhibition space (more…)
Looking beyond the postcard view of city and its two shimmering icons, Harbourings reveals Sydney at her most raw and most spectactular, her most self-conscious and most corrupt. The route takes a wander through a diverse range of contemporary projects and the gritty industrial history of the Rocks.
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HENRIC NICHOLAS, CLIENT: The Nicholas House (1977-1980) in Mount Irvine, NSW, was designed within the constraints of its relatively isolated site, using standard building components and techniques so that it could be built by a single individual. Henric Nicholas discusses the work of award-winning architect Glenn Murcutt in association with the exhibition Architecture for Place. (more…)
A retrospective exhibition of some of the most outstanding and endearing products developed by celebrated Australian design company FINK + Co. Established in 1994 by Robert Foster, the company has played a critical role in promoting Australian design and nurturing Australian designers. (more…)
Untouchable presents the work of staff from the Object Art and Design Studios of Sydney College of the Arts. It showcases the artists’ diverse approaches. As for its tongue-in-cheek title: What else do you call an exhibition to accompany Unwearable and Unbearable?
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Unbearable challenges assumptions that art objects should be tasteful, aesthetically pleasing, understandable, accessible and physically manageable. The works ask you to address these expectations and consider other possibilities.
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Why would a jeweller choose such a confrontational title for an exhibition of work from the last 15 years as Unwearable? It’s a provocation. Those familiar with New Zealand’s Lisa Walker’s work won’t be surprised. The very best jewellery in her exhibition aggressively challenges us on a material, conceptual and practical level. Curated by Damian Skinner.
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Transclimatic demonstrates how climate change drives us to address new objectives: explore new places, set new design strategies, use new techniques or develop new technologies via a multi‐disciplinary design exhibition. It showcases selected works of emerging or established artists, design practices and architects worldwide.
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Digital modelling and digital fabrication are wonderful things but how toxic are 3D printers and how much gas is given off while laser cutting a piece of plywood? What are the environmental impacts of these Ultra_Fab tectonics? University of Sydney architecture staff and students demonstrate the creative potential – and the impact – of digital fabrication at the Ultra_Fab pavilion.
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Self-described as that “tasty something more”, Extra Cheeese is an innovative collective aimed at breaking down the distinctions between artists and designers. It’s a community where ideas and practices are shared and the similarities and differences between the two creative disciplines are celebrated and appreciated rather than find themselves divided into two separate camps. (more…)
Peta Kruger’s works re-imagine the past as a grander more complicated version of what might have been.
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Design + Wood 2009 features the work of established and emerging designer/makers who focus on contemporary design while retaining the tradition of workshop-based production. It showcases the beauty and diversity of Australian native timbers and is a rare opportunity to view handcrafted studio furniture seldom exhibited outside specialist and studio galleries.
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An invitational exhibition of teapots of every persuasion – from the exquisite and the elegant, to the functional and the purely decorative, to the whimsical and the bizarre – The Sydney Teapot Show has been held for around 20 years at The Inner City Clayworkers Gallery in Glebe and showcases local, interstate and the occasional international design.
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We’re in the middle of the biggest resurgence in knitting since the 1970s. In Denmark they knitted a tank, in Mexico they knitted a bus and in Sydney guerrilla knitter Denise Litchfield has organised that Taylor Square’s historic public amenities be covered in knitted pieces. (more…)
EyeSaw is an exhibition by graphic designers about graphic design. It’s a visual feast of ideas calculated to bring the discipline of graphic design into sharp relief. The exhibition’s mantra is the designer’s desire to explain to a world – where visual communication in myriad forms is omnipresent – precisely what it is they do and what its benefits are.
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The Curtain Gown is a signature work by Melbourne fashion phenomenon MATERIALBYPRODUCT. Blurring the boundary between fashion and interior design it has been critically acclaimed and widely publicised both here and overseas. (more…)
Two of the hottest names in Japanese architecture, Kazuyo Sejima and Ryue Nishizawa, will give a first-hand glimpse of their architectural aesthetic with their architectural intervention at the Sherman Contemporary Art Foundation. (more…)
Do you have family heirlooms which need preserving? Would you like to know how to store precious textiles and garments? Are beads missing from your vintage handbag? Meet ESMOD vintage experts to pick up advice and techniques on how to look after and restore your favourite items.
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Explore the role of colour and texture in fashion design in a step-by-step workshop. Participate hands-on and produce a unified colour and texture scheme to apply to a fashion fabric “palette”; then apply the palette to your own fashion design “story”.
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An exhibition of the 2009 winners of the prestigious NSW Architecture Awards at Sydney’s Centre for Architecture, Potts Point. The exhibition includes winners in the coveted Sulman and Wilkinson Awards – the highest accolades for public and residential architecture in NSW. (more…)
Along with completed contemporary furniture and objects in a workshop environment, see works in progress and take the opportunity to speak to designer/makers about their influences and methods. Splinter Workshop – Design in Action in an experiential event that connects visitors with the designers, makers, design process, the craft, materials and the completed pieces.
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